Insignia

Office of Communications, “Working Group Will Outline Best Practices for Iconography” (6 May 2021):

The Campus Iconography Working Group has begun work to draft recommendations for artwork, images, and nomenclature across Dartmouth’s physical and digital environments. The group, which includes students, faculty, staff, and alumni, will consider items such as paintings, sculptures, statues, and official insignia.

Contrast that project with the recent OCD overhaul of Dartmouth’s visual identity on an essentially graphical basis.

It seems likely that the group will recommend the retirement of Dartmouth’s 1944/1957 coat of arms, the familiar shield depicting a pair of Native Americans walking toward a college building (not Dartmouth Hall but a generic college or, at best, a Dartmouth Hall precursor).

Dartmouth's 1957 coat of arms

Jonathan Good’s Proposal for a Heraldic Coat of Arms for Dartmouth College anticipated this retirement decades ago and suggested an appropriate replacement.

It is important that Dartmouth, while retiring its current coat of arms, create a replacement coat of arms. There is a risk that the college will do nothing and that the D-Pine, a fine less-formal symbol particularly suited to athletics (notwithstanding its description by the Office of Communications as “the most formal brand mark”) will become the official symbol of Dartmouth College.


Any iconography decision will apparently not affect the naming of the Geisel School of Medicine (Inside Higher Ed).

Dartmouth NEXT, a sort of Great Issues for the world, uses the map (or really the pattern) of paths on the Green in a graphical way to form a right-pointing arrow logo:

Excerpt of Dartmouth NEXT logotype

A course exhibit from April 2020 titled The Indian Symbol at Dartmouth: A Story of Voices and Silence contains a number of notable documents from the archives. The 1932 article on “the new official insignia,” for example, is very interesting and brings to light an obscure design. One note: The Eleazar Wheelock Tombstone, which is carved (not stamped) with a version of the Indian head symbol, is actually a non-funerary monument located in Columbia, Connecticut. Wheelock is buried in Hanover, N.H.

Symbols, including weathervanes and flags

Baker Tower Weathervane. The Valley News has been reporting on the petition calling for the removal of the Baker Tower weathervane and the college’s plan to remove it (see also Dartmouth News). A crane crew removed the weathervane on June 25 (Dartmouth News).

The college plans to create a replacement; George Hathorn has suggestions. The June 25 Dartmouth News piece by Aimee Minbiole states that “Vice President for Communications Justin Anderson will assemble a working group to consider designs for a new weather vane and whether other changes in iconography across the institution are necessary.” If that iconography includes the college seal with its depiction of Native Americans, one solution would be to adopt an heraldic seal based on an heraldic coat of arms.

The cascading effects of the weathervane’s deprecation are interesting. The Guarini shield, less than a year old, contains the tiniest imaginable depiction of the weathervane, but it will apparently be changing. (It is even less visible than the Indian head cane that was removed from the pre-2012 DMS shield.) The Town of Hanover is also changing its official logo, which contains a line drawing of Baker Tower that also features a small version of the weathervane. Remarkably, the Valley News story, citing Town Manager Julia Griffin, states that some variants of the town logo already render the two human figures as trees: “Griffin said via email that many of the logos in town show three pine trees on the weather vane, rather than the more troublesome figures. For now, those logos won’t be changed, she said.”

The original 1928 copper exterior of the Baker Tower weathervane is already in storage. The exterior was recreated, according to the Valley News story of June 12, as part of the tower renovation project of 2016, less than four years ago. Compare that missed-opportunity-in-hindsight to the travails of U.Va., which updated its athletics logo in April and two months later finds itself tweaking the new design to get rid of the twisted hilts of the crossed sabers. What is the symbolic significance of a twisted hilt? It is not clear that it has any independent meaning at all, but the promotional verbiage that was put out with the spring update pitched the twisted hilts as a reference to the serpentine walls that line the back gardens of the university’s original buildings. Those walls’ connection to enslavement is the prompt for the latest change.

(One would think that the bigger problem is the association with the Confederate cavalry saber — the crossed, curved cavalry sabers are much more typically seen as an emblem on a mid-19th century slouch hat than in connection with a 17th-century cavalier — but the designer of the U.Va. logo in the mid-1990s says he did not intend it to refer to the Civil War.)

Flags. A lot is going on with flags these days. Mississippi has dropped its flag and will consider the Stennis Flag among the possible replacements. The 9/11 “Freedom Flag” (spotted in the wild here) is the subject of a bill, sponsored by Reps. Spanberger and King, proposing to make it the official flag of 9/11 remembrance (WTVR News). The flag is to be flown on federal buildings from September 11 through 30 each year. Finally, CNN has a piece on the Juneteenth Flag. Maybe looking at the Freedom Flag encourages one to view every flag as a map, but the zig-zag “burst” lines on the Juneteenth Flag can also be read as the plan of a 19th-century star fort. One might prefer a version of the date that omitted the comma, but the specificity of putting the date on the flag in words is appealing.

Other symbols, including plaques. There is an official climate emergency tartan (Scottish Register of Tartans). The FCC has a new seal (see Brand New, also FCC announcement pdf). The eagle has post-Homeland Security wings; the antenna feed line, which curved realistically in the old FCC seal, is made into a rigid line of division of the shield — ouch.

Finally, because this site is always on the lookout for a rogue plaqueing, a link to Kevin Levin’s Civil War Memory post on the series of unofficial historical markers erected by activist historians on Monument Avenue in Richmond. Some of the markers apparently have been ripped up already (WTVR News). Three of the four city-owned statues of defeated rebels have been removed in recent days, and only Stuart remains. Here is a windshield snap taken yesterday; the statue is not expected to last another week. It does feel like Europe in 1989:

Stuart statue by Meacham 07.03.2020

The new Guarini shield

The Guarini School of Graduate and Advanced Studies has a new shield by OCD.

The prior shield (see the post at this site) was adopted in 2011 after a low-budget crowdsourcing project. It shows the mandatory river lines in the base as a pair of helping hands, a bit reminiscent of the United Way logo. Some versions of the shield included the year 1885, when the first graduate degree was awarded at the college.

The new shield displays the year 2016, the year the school was formally established, in the base. It is not clear whether the sans serif typeface is the required National 2, but the extra height it gives the numeral 6 suggests that these numerals were not hand-drawn.

Above the year are the waves of the river, and on the left side of the shield, emerging from the river — not yet swamped! — is the upper portion of the cupola of Baker Tower. This might be called the Day After Tomorrow shield. Stanley Orcutt’s Wheelock and an Indian under the Pine weathervane bumps up against the very thick border of the shield, and the rest of the shield is occupied by a representation of the constellation Cassiopeia, as the news item explains:

The designers worked with the School to create an image of Cassiopeia, one of the constellations that one could have seen when standing on the green at midnight and looking north at Baker on the night the Board of Trustees voted to establish the School, on July 1, 2016.

Historical archeology on campus and other topics

  • News of an archeological dig on the site of Choate House, on Wentworth Street is thrilling; one hopes that such digs take place all over Hanover. Comparing the younger and larger state-supported University of Virginia is not really appropriate, but U.Va. seems constantly to be conducting digs, such as this one last summer.
  • In posts of August 17 and September 20, Big Green Alert Daily has photos of the Indoor Practice Facility going up.
  • The Valley News has an article on DHMC plans for a northward expansion (see also a later article without the plan). The expansion will go between the arms of the vee at the north entrance:


  • Campus Services has a nice interactive map of projects around campus.
  • The Rauner Blog has a post on Charles L. Hildreth of the class of 1901 and his campus cyanotypes.
  • The Valley News has an article about a class that studied the college’s connection to farming and put up an exhibit in the Berry Brickway Gallery.
  • The Engineering/CS construction update page has a photo of the extensively-rerouted Thayer Drive with this caption: “The new access road (to be named Thayer Drive) is almost complete. The drive begins at West Wheelock, turns left behind the residence halls to Channing Cox parking lot, and around to the back of MacLean Science Center.”
  • The Digital Library Program is running a great project called Image of the Week.
  • One of these things is not like the others. Once the OCD visual identity came out, we knew it was possible, but still we hoped it wouldn’t happen: the college has begun to replace the Dartmouth shield with the D-Tree. The school has started with the official letterhead of all places:

    Dartmouth letterhead with four shields and D-Tree logo, new in 2019

    The D-Tree itself is nice, especially as an athletic logo, but it’s not a shield. And while the college might have good reason to take the midcentury Dartmouth shield out of its letterhead, it should commission a new shield for that purpose, as part of a new heraldic coat of arms. See, for example, this proposal from 1995.

    Didn’t anyone find it notable that every one of the four Associated Schools now finally has a shield that depicts the Connecticut River in its base, just as the Dartmouth shield does?

  • The Valley News reports that the college submitted a new plan for the Thayer/CS building, this time showing its location accurately. After the building opens, wouldn’t it be neat if someone painted a line on the bridge that connects the building to MacLean to show where it was meant to stand? If the college is unable to muster the humility required, then some wry engineering student group ought to do it, in secret.
  • The PBS Newshour has a story on the Hood and its unconventional presentation of out-of-the-mainstream art. See also the good art-centered review in Apollo Magazine and the review in Dezeen. Architects Tod Williams and Billie Tsien received honorary degrees at Commencement.
  • Rauner Library Blog has a post on a 1946 proposal for a Canadian flag with a profusion of stars, including the Big Dipper (compare the Alaska Flag, at Wikipedia).
  • A Valley News article from June describes a tour offered by the Lebanon Heritage Commission.

Special flags number

The college flag, which is flown from the flagpole on the Green (see this July 2017 Street View image), has for decades been a simple Lone Pine in white upon a green field. The Co-Op still sells a version of it.

Last year, the Original Champions of Design created a new overall visual identity for Dartmouth that included a relatively subtle update of the Lone Pine. Instead of substituting the new pine for the old on the flag, however, the college has created a new flag featuring the “D-Pine” logo that OCD also created. The new flag is now flying on the Green and is visible in the photo published with this article in The Dartmouth of February 13 (thanks for the tip, Jon). OCD did a mockup of such a flag (it appears around page 11 of their site for this project) but the college appears to have taken the suggestion literally.

One needn’t dislike the D-Pine logo to question its appropriateness on a flag: the official college banner just seems a bit less purely symbolic and a bit more commercial now. The new logo definitely says “I am a logo,” and as a result the new flag speaks more to a brand, a glossy trademarked identity, than did the old flag. There is also a hint of the athletic about it — again, appropriate for many situations, but not necessarily right for the college flag.

This flag was spotted at an Interstate rest area:

Honor and Remember flag, Meacham photo
The Honor and Remember Flag (see Flags of the World), not to be confused with the yellow star on a red field of the Socialist Republic of Vietnam
(Wikipedia).

The phrase “the Thin Red Line” calls to mind the Battle of Balaclava (to a dedicated 1980s MilMod reader, at least). Lately it’s been applied to firefighters, following the pattern of “the Thin Blue Line” of the police. With this flag, spotted at a Highland Games, you get two for the price of one, and there’s no scrimping on the width of the line either:

Flag with thick red and blue line, Meacham photo

At the same event, this Celtic collage (FOTW):

Pan-Celtic flag, Meacham photo
Wikipedia suggests that the flag of Galicia, excerpted in the upper left, does not belong.

There are beer taps affixed to this depiction of the flag of Virginia, which itself displays the obverse of the great seal of the Commonwealth of Virginia:

Beer taps in image of flag of Virginia, Meacham photo

Finally, here is an odd collection, including (l-r) the Virginia flag, a Pride version of the U.S. flag, the big flag of the River City Red Army, the flag of the City of Richmond, an ice cream flag, and an Australian flag defaced by a boxing kangaroo.

Flags, Meacham photo
The ice cream flag is a mystery.

New visual identity guidelines, Dartmouth Ruzicka typeface

The college has revealed its new branding strategy (pdf), devised by Original Champions of Design (see news from the Office of Communications, Dartmouth News, The Dartmouth, and Brand New).

The strategy is the largest part of a new identity push that is described in “Telling Our Story” (pdf).

The new identity replaces the mild revamp described in the 2014 brand style guide (pdf). A September 2016 tweet by OCD at Rauner gave a hint that something was up and shows the depth of the firm’s interest in history. (And it’s possible that the image of the commemorative tile on page 50 came from this post; see also this 2013 post encouraging the mining of college history.)

From Dartmouth News:

The new graphic elements include four key items: a Dartmouth wordmark, which is the typographic treatment of the Dartmouth name; a custom-made typeface; a redesigned “lone pine”; and an icon that combines the lone pine with the letter D. Additionally, there is a new palette of colors to complement the traditional Dartmouth Green color, as well as new icons for use in social media, all of which will better communicate the Dartmouth identity, says Anderson.

The typeface is by Jesse Ragan (creator of RudolphRuzicka.com) and is based on the type that Ruzicka designed for use on the Bicentennial plaque, in the Zahm Garden outside Paddock Music Library), and the later Dartmouth Medal. (It is not to be confused with Dartmouth’s other 1969 typeface, the one that was designed by Will Carter and Paul Hayden Duensing and was revived recently for the Inn’s own rebranding.)

Like the typeface, the “D-Pine” mark is a nostalgic call to the early 1970s. It has a pleasing retro-kitsch character and makes one think of orange down vests, canned beer, and what are now called trucker hats. It would make an excellent athletics mark.

The use of the Versailles-like map of the paths on the Green as one of the four suggested patterns picks up an idea from the Year of the Arts (style guide).

And now we have an explanation of the origin of the seal-like House emblems (post, post): “The firm [OCD] also worked with the house communities last year to design a set of [insignia] with a unified design language, which debuted last fall, Anderson said.”

—–

[Update 02.18.2018:]

It’s true that the D-Pine, as fine as it might be, does not make an adequate replacement for Dartmouth’s midcentury shield. Perhaps the chart should look something like this?

Adopting a new coat of arms as a part of the 250th anniversary

This is an edited version of a post of seven years ago.


Jonathan Good wrote a proposal for a heraldic coat of arms for Dartmouth College in 1995. As the proposal explains, the new symbol would be an adjunct to the existing coat of arms rather than a replacement for it.

The celebration of Dartmouth’s 250th anniversary in 2019 would be a fine time to adopt the coat of arms. At the last big college celebration of this kind, the 1969 bicentennial, the school adopted the lone pine device that has since become widespread.

A couple of Scott Meacham’s own cut-and-paste efforts to render the proposed arms:

Proposed arms for Dartmouth as designed by Good and depicted by Meacham

Proposed arms for Dartmouth as designed by Good and depicted by Meacham

Insignia for house communities emerging

The first examples of house insignia are being released. They follow the graphical guidelines set out by the college (pdf).

The “house community” on the Hitchcock Estate, known at the moment as West House, has offered its official symbol: an elm tree. The symbol is used in action a few times in a recent Westletter (pdf). The elm refers to but does not depict the wonderful elm in front of Butterfield Hall. (That tree might have been planted by professor/trustee Henry Fairbanks, who built his mansion where Russell Sage now stands in 1864.)

Next we have East Wheelock House, a cluster that was still known as “the New Dorms” during the mid-nineties. One of its constituent buildings, Morton Hall, was damaged in a fire about a year ago and has been gutted and remodeled by the college. Thus the East Wheelock emblem is a phoenix. No relation is intended to the Phoenix Senior Society, a 35-year old Dartmouth women’s society. (The Phoenix Senior Society was also evidently the name given by the Sphinx when a photo of its building was published in 1907.)

An article in The Dartmouth notes that an emblem for each house has been commissioned from the same professional designer. These designs look like seals, especially with the wording around the border (and perhaps in the future the phrase “West House,” whose repetition makes the design look like a coin, can be replaced with the house motto). Most importantly, the designs — so far, anyway — are authentically connected to the houses they represent.

A village in the Park?

  • The Moosilauke page has a section called “Building has begun.” Dartmouth News has a report with some recent photos showing the building taking shape. Trips this year will conclude at the McLane Family Lodge at the Skiway because the Ravine Lodge will not be ready.

  • Photos show the steel going up at the Hood Museum addition; see also the Hood’s updates on steel, progress, and the topping-out ceremony.

  • More than 20 years ago an architecture magazine published a small photo of Spanish architect Ricardo Bofill’s adaptation (cleverly invasive rehabilitation? creeping residential takeover?) of an old cement plant. The work has held a fascination ever since. Now Designboom has a comprehensive article. An amazing long-term project of simultaneously inhabiting a ruin and making a “ruin”; and don’t those trees on the roof remind one of J.M. Gandy’s fantasy illustrations of Soane’s Bank of England as a ruin?

  • A while back the absence of personality on the part of any of the new House Communities was noted. The apparently provisional names are still in use, but the communities do seem to be coming to life. West House (on the north side of Tuck Mall) has a blog with a bit of personality. For example: West House members are called Westians. The house has a Westletter and a team in the House volleyball league. West House has been using a logo that features an image of the great elm tree that stands between Fahey and Russell Sage. Incidentally, the deadline for House Community insignia design ideas was April 10. No word yet on results.

  • The Dartmouth says in an article that the college is thinking of developing “a kind of ‘village'” near the Bema in the College Park. One hopes that if it is built, it is sited at the north end or on the back side of the park instead of near the Bema.

    The College Park has been eyed as a building site for decades, most recently as a site for a pre-recession SLI “Commons House.” There were some terrible ideas for building there in the Fifties and Sixties; and RipWoodSmith, after all, is an encroachment on the College Park, and Richardson was probably seen that way when it was built more than a century ago.

  • U.Va. artisit-in-residence Mark Dion has created a “cabin of curiosities” down the hill from the Architecture School. Interesting.

  • Heraldry news: Along with renaming Calhoun College for Grace Hopper, Yale has given Hopper College a new coat of arms (Calhoun notice, Yale Daily News). Yale also built two new residential colleges recently, Murray and Franklin. Rather than create stone Gothic buildings, the firm of Robert A.M. Stern has designed a Tudorbethan complex of brick. The two colleges have had complimentary coats of arms for a year or more (pdf). Finally, at Harvard, the sustainability website replaces the crimson of the school’s historic shield with a pea-soup green.

  • The Big Green Alert Blog has a seating diagram showing Fenway Park as it will be configured for the Dartmouth v. Brown football game there on November 10.

  • The Medal of Honor Foundation is running elaborate eight-page print ads, such as those in Fortune Magazine, that attribute this quotation to Abraham Lincoln: “Any nation that does not honor its heroes will not long endure.”

    Really? That sure does not sound like something Lincoln would say. Of course he used the phrase “can long endure” with reference to a nation in the Gettysburg Address, but that is all the more reason to doubt that this quote, similar and yet different, is also from him. And does it even make sense? Isn’t the maintenance of the military, or the food supply, or the economic might of the nation a bit more important to the nation’s survival than its treatment of its “heroes”? (And, objectively speaking, are they really heroes if they are not honored?)

    The Grand Army of the Republic, which should know a Lincoln quote when it sees it, printed an article in 1909 (actually it was the GAR Department of Iowa in its Journal of Proceedings of the Annual Encampment) that contained this passage:

    A man once said, “The nation which does not honor its heroes, itself should die. The nation which does not teach its children to honor its heroes, itself will die.”

    No Lincoln. Someone asked the “Queries and Answers” column in the New York Times Review of Books in 1959 for the source of this statement: “A nation which does not honor its heroes soon has no heroes to honor.” I am unable to find a response.

  • Here’s an idea: If Davis Varsity House needs to be moved out of the way (see this snippet of the latest master plan), why not move it to the intersection of Lebanon and Crosby Streets, a roundabout-worthy urban room that could be called Larson Square? Davis would occupy the parking lot next to the Black VAC, a spot that is very close to the current location of Davis, avoiding a lot of big trees; and it fits perfectly with an intersection that is already home to two other major institutional buildings by Jens Larson.

  • Stained glass, old and new.

    Chartres

    Signature panel, window in sixth bay, north side of nave, Chartres.

    South

    Window in south transept, Sainte-Mère-Église.

——

[Update 08.10.2017: Broken links to Hood photos removed, Lincoln quotation image added.]

A new direction for the old Heating Plant

Introduction
The college announced recently that it won’t upgrade its Heating Plant from No. 6 fuel oil to natural gas but will instead skip directly to a more sustainable source of energy.1Charlotte Albright, “President Hanlon: Big Green Will Go (More) Green,” Dartmouth News (22 April 2017); Aimee Caruso, “Dartmouth Plans to Cut Oil Reliance,” Valley News (23 April 2017). That energy source is likely to be biomass.2Rob Wolfe, “New Dartmouth Task Force Will Help School Go Green,” Valley News (31 August 2016); Peter Charalambous, “College to finalize heating and energy proposals,” The Dartmouth (3 February 2017); Wolfe, “Fueling a College’s Future,” Valley News (27 April 2017). Because a biomass plant will require a lot of land on which to store piles of wood chips for combustion, the site of the current Heating Plant south of Wheelock Street will not do.3Wolfe, “Fueling a College’s Future.”

The new plant

The college is mum on where the new heating plant will be built, but Dewey Field must be at the top of the list of possibilities. Dewey Field is a large, open site on Route 10 (Lyme Road) that is currently used as a parking lot. Most of the field is located outside the 10-minute walking radius that is supposed to define the limits of the campus proper. The field also is close to the northern end of the tunnel network that currently carries steam lines to the various buildings. Some posts on this site have speculated about the idea of putting a new heating plant in Dewey Field: here, here, and especially here.

Dewey Field aerial at Google Maps.

(Unfortunately for the college, Dewey Field is also close to the mansions of Rope Ferry Road. Would it be possible to locate a biomass plant on the other side of Lyme Road, up by the Corey Ford Rugby Clubhouse? Or would the inefficiency created by the long distance be too great?)

Wherever the school sites the new plant, it should be encouraged to hire an outside architect with vision. The northern gateway to Hanover is not the place for a brown, metal-sided box. While the plant at Hotchkiss might not be right for Hanover, it stands next to a golf course. It was designed by Centerbrook with civil engineering by Milone & MacBroom, both firms that have worked at Dartmouth.

Since a heating plant is a simple industrial building, it can be covered in anything. Here is an amazing plant in the Netherlands that is clad in Delft tiles.

The old plant

Heating Plant, Meacham photo

The Heating Plant.

The old Heating Plant is one of the better examples of historic preservation at the college.

The ground level of the plant was built as a one-story Romanesque building in 1898 (Lamb & Rich, Architects). The second level was added by the college’s other important architectural firm, Larson & Wells, in 1923. In more recent history, each time the college has placed a new boiler in the building, it has dismantled a front facade bay and then built it back again — three times, in three different bays.

This website cannot stop talking about the importance of preserving the old exhaust stack, a fundamental Hanover landmark — it is an axial terminus for Lebanon Street — and an historic symbol of the traditional function of this neighborhood as Hanover’s energy district. Yale’s master plan devotes one map to showing “major vertical objects,”4Yale Master Plan pdf, 94. and this stack is one of the three most important vertical objects in Hanover. It makes no difference that the stack, built in 1958, is not “original” to the building, whatever that means for this evolving industrial structure. The stack is simply too important. It satisfies the 50-year threshold to be considered “historic” under the Secretary of the Interior’s Standards anyway. (And it goes without saying that Harry A. Wells’s wonderfully adaptable 1916 Store House on Crosby Street, seen in Google Street View, also must be retained.)

The stack as seen from Lebanon Street.

The old plant in the future

Old power plants are reused all the time: see “Adaptive Reuse for Power Plants by Studio Gang and Adjaye Associates5Aaron Wiener, “Adaptive Reuse for Power Plants by Studio Gang and Adjaye Associates,” Architect Magazine (1 December 2013). and the Bruner/Cott renovation of Amherst’s 1925 power house. The only natural move would be for the college to expand the Hood Museum into the empty plant building.

The old stack should become a victory column. Or the school could install a staircase and top the column with a Classical decorative element, such as the golden flaming urn of Wren’s 1677 Monument to the Great Fire of London (Wikipedia) or William Whitfield’s 2003 Paternoster Square column, seen in Google Street View (that one was built as a ventilation shaft, Wikipedia notes). Or imagine commissioning a statue or an abstract sculpture as a new signpost for the arts at Dartmouth — and for the college as a whole.

References
1 Charlotte Albright, “President Hanlon: Big Green Will Go (More) Green,” Dartmouth News (22 April 2017); Aimee Caruso, “Dartmouth Plans to Cut Oil Reliance,” Valley News (23 April 2017).
2 Rob Wolfe, “New Dartmouth Task Force Will Help School Go Green,” Valley News (31 August 2016); Peter Charalambous, “College to finalize heating and energy proposals,” The Dartmouth (3 February 2017); Wolfe, “Fueling a College’s Future,” Valley News (27 April 2017).
3 Wolfe, “Fueling a College’s Future.”
4 Yale Master Plan pdf, 94.
5 Aaron Wiener, “Adaptive Reuse for Power Plants by Studio Gang and Adjaye Associates,” Architect Magazine (1 December 2013).

Now is the time for heraldry

ORL has opened a “House Insignia Design” search.

Although the webpage acknowledges that the Houses “do not have to be represented as shields or coats of arms,” the relevant tradition is that of heraldry, and the four house systems that are provided as examples (those of Rice, Harvard, Yale, and SMU) are dominated by shields.

Here are some rough sketches, with speculative blazons. The arbitrary House names assigned by ORL are probably only temporary and are not referenced in the arms. Comments and suggestions are welcome; feel free to submit any of these to ORL without attribution:

Allen House.


House arms by Meacham

Constituent buildings: Gile, Streeter, and Lord Halls.

Associations: Tuck Mall, the Gold Coast, the Hitchcock Estate, the Cemetery, architect Jens Larson’s ocular windows and connecting arcades.

Possible blazon: Gules three arches conjoined Or in base two barrulets Argent.

East Wheelock House.


House arms by Meacham

Constituent buildings: Andres, Zimmerman, Morton, and McCulloch Halls.

Associations: Dr. Frost’s House, Judge Parker, the “New Dorms,” the ur-community, the postmodern entry pyramid.

Possible blazon: Sable a pyramid proper in base two barrulets Argent.

North Park House.


House arms by Meacham

Constituent buildings: Ripley, Woodward, and Smith Halls.

Associations: College Park, the Bema, the Old Pine or Lone Pine, the stump, the Grotto, early graduates and original college tutors Ripley, Woodward, and Smith.

Possible blazon: Azure a tree stump erased in base two barrulets all Argent.

School House.


House arms by Meacham

Constituent buildings: Massachusetts Row and Hitchcock Hall.

Associations: Mass Row (“Mass Rowhouse”), a temple front, Boston, the Commonwealth of Massachusetts, the Massachusetts flag (whose reverse apparently displayed a green pine tree on a blue field from 1908 to 1971).

Possible blazon: Azure a pine tree in base two barrulets all Argent.

South House.


House arms by Meacham

Constituent buildings: Topliff and New Hampshire Halls and the Lodge.

Associations: Hallgarten (“Hellgate”), the New Hampshire College of Agriculture & the Mechanic Arts, the State College, present-day UNH (whose colors are blue and white), Aggies, father of NHC in Hanover Ezekiel Dimond, the State Farm (part of which is now occupied by the football field and baseball diamond), the plow.

Possible blazon: Sable a lozenge in base two barrulets all Argent.

West House.


House arms by Meacham

Constituent buildings: Butterfield, Russell Sage, Fahey, and McLane Halls.

Associations: The mansion and estate of wealthy hotelier, philanthropist, and amateur archeologist Hiram Hitchcock, the landscaped auto road of Tuck Drive, a.k.a. Webster’s Vale, Eleazar Wheelock’s first college site (behind Sage).

Possible blazon: Purpure a wheel in base two barrulets all Argent.

The Sestercentennial and the College Mace

Introduction

It is common for an academic institution to possess among its “crown jewels” a big ceremonial mace (Wikipedia) that is carried at the head of the Commencement procession and might rest in a special spot during the times when the board of trustees is in session. Dartmouth does not have a mace per se, but the College Usher leads the Commencement procession with Lord Dartmouth’s Cup (visible at the right side of this college Flickr photo), a tall 1848 silver vessel that certainly serves the purpose of a mace.

The mace in the U.S.

The college received the cup until 1969 and did not start using it in processions until 1983. Dartmouth does not seem to have had a mace before that time. Why not? It is not clear. It might be that the academic mace is mostly a recent phenomenon in this country. Here is a list of some notable North American college maces:

A future mace

It would not be surprising if some alumnus or organization were to come up with the idea of presenting the college with a mace on the occasion of its 250th anniversary in 2019. (That time is not too far off: the 250th anniversary class is already in college.) The mace would not only commemorate the granting of the charter but also would symbolize the independence of the institution from the state, with 2019 being the bicentennial of the Dartmouth College Case.

At best, this old-style mace would be fashioned by New England craftspeople,1In addition, the Medallic Art Company has available a selection of maces, mostly with wooden staffs, and Thomas Fattorini Ltd. of England (pdf) makes metal maces. but it need not follow the traditional mace form. Why not have it refer to a Cabin & Trail splitting maul; a woodsman’s cant hook or peavey; a Mountaineering Club ice axe; or an Organic Farm timber-framer’s mallet?

Perhaps the mace could encapsulate within it some historic implement, such as a cane or cane-head that belonged to Daniel Webster; a nineteenth-century axe used in the Second College Grant; a Boston Post Cane from a defunct New Hampshire town with some connection to the college; an ice axe used on a Himalayan expedition during the 1960s; a broom handle used by John Kemeny to prop open the cabinet of an overheating computer; or a hatchet that Robert Frost used in his woodlot. What about a nineteenth-century canoe paddle?

Any of these venerable tools would be sheathed in a protective silver capsule before being gilded, covered in worked sheets of precious metals, engraved, and decorated with jewels. The encrusting might include polished fragments of the Old Pine, the granite front step of Dartmouth Hall,2That step is located at the entrance to Dick’s House. or a piece of wood or stone from the original building of Moor’s Charity School in Connecticut. Parts of the weathered head and handle of the enclosed cane or axe might be left uncovered, and other parts, perhaps the sharp ones, might be made visible through small crystal windows.

So that a person would be available to carry this new ceremonial mace, the board might have to create the office of Quartomillenial Beadle or Semiquincentennial Macebearer.3The charter office of College Usher, currently conferred upon the Treasurer, now imposes upon its occupant the task of carrying Lord Dartmouth’s Cup in processions. The charter office of College Steward might be available, although one might expect its occupant to be the head of DDS and to carry, say, a giant silver repoussé ladle engraved with the word “COMMONS.”

[Update 12.06.2015: Three broken links fixed.]

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References
1 In addition, the Medallic Art Company has available a selection of maces, mostly with wooden staffs, and Thomas Fattorini Ltd. of England (pdf) makes metal maces.
2 That step is located at the entrance to Dick’s House.
3 The charter office of College Usher, currently conferred upon the Treasurer, now imposes upon its occupant the task of carrying Lord Dartmouth’s Cup in processions. The charter office of College Steward might be available, although one might expect its occupant to be the head of DDS and to carry, say, a giant silver repoussé ladle engraved with the word “COMMONS.”

More on the Lone Pine logo

The Valley News has a piece by Tris Wykes on the growing use of the Lone Pine in athletic branding. See also the article “Stand Tall Lone Pine” (Peak (Winter 2015) pdf).

John Scotford [one letter t in his name] designed the pine for the 1969 Bicentennial. The school actually released several different versions or iterations of the logo, and several different representations of a pine tree, most if not all apparently by Scotford:

Bicentennial dual logo

Bicentennial dual logo from a program(?)

Bicentennial medal obverse

Bicentennial medal, obverse

Bicentennial tile

Bicentennial commemorative tile

Bicentennial logo

Third Century logo from frontispiece of R.N. Hill, College on the Hill

Of course the actual Lone Pine — earlier known as the Old Pine, although it was not extremely old, certainly not as old as the school — did not look like any of these, but that is beside the point. (Scotford also designed the 1969 Dartmouth College Case stamp, a realistic image that does not depict any pines.)

With the rise of the pine, apparently the athletic logotype commissioned from SME, Inc. in 2005 (pdf) is going away.1This is good news. I could never figure out that logo. Is the triangular background form meant to represent the gable of Dartmouth Hall? Then why make its essential peak tiny and hide it inside the letter D, where it gets lost on banners and uniforms and Web graphics? But then the upper part of the shape cannot be Dartmouth Hall, because the lower part of the shape is an upward-broadening trapezoid. There is no building at Dartmouth like that.

Logo by SME, Inc.


Athletics logo by SME, Inc.

That logo is completely skipped over by the VN article, which goes from the Big Green nickname (dating to the early 1900s,2The Dartmouth 31:__ (___, 1909), 206 (Google Books). Football games between Dartmouth and the “Indians” of the Carlisle Indian School of the 1910s were called Dartmouth-Indian games — a clear indication that Dartmouth teams were not the Indians. not a replacement for the later Indians nickname) right to the Lone Pine. Neither the Athletic Department’s improving website nor the Football Team’s website uses it.

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References
1 This is good news. I could never figure out that logo. Is the triangular background form meant to represent the gable of Dartmouth Hall? Then why make its essential peak tiny and hide it inside the letter D, where it gets lost on banners and uniforms and Web graphics? But then the upper part of the shape cannot be Dartmouth Hall, because the lower part of the shape is an upward-broadening trapezoid. There is no building at Dartmouth like that.
2 The Dartmouth 31:__ (___, 1909), 206 (Google Books). Football games between Dartmouth and the “Indians” of the Carlisle Indian School of the 1910s were called Dartmouth-Indian games — a clear indication that Dartmouth teams were not the Indians.

Heraldica

1. The Lone Pine really is taking over from the 1940s-1950s shield as an emblem of official college-related things other than the board of trustees.

The pine is everywhere. For example, the Campus Police were represented by this patch but now Safety & Security are using this one. A van from Computing Services (now called ITS?) features a pine dissolving into pixels. Each of the new shields of Thayer School and Grad Studies has a pine. The new-ish DDS logo presents the Lone Pine as a giant piece of broccoli. Peak magazine (Winter 2015) even has an article on the phenomenon.

2. If the residential colleges adopt coats of arms, the collection of all six will look neat together. Here’s a collaged image of the carved and painted arms of the city of Dresden, flanked by those of the city’s districts, created to honor the 30th anniversary of the establishment of the DDR in 1979:

Dresden, Germany arms. Meacham photo

3. This is not directly related, but it’s worth remembering that a portion of the money that Wheelock used to establish Dartmouth came from Merton College, Oxford (Wiki; arms shown on 1264 Society page). The college is listed as having donated £2.2s.- to Moor’s Charity School during Occom’s and Whitaker’s 1766-1767 fundraising tour of England and Scotland (appendix to Wheelock’s 1769 Narrative in Google Books).

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Update 08.25.2015: Take a look at the Flag Project at the Florianopolis Design Biennale — a whole series of flags, each one representing the architectural features of a particular building.

Investiture and other topics

  • The report of the 210th Alumni Council meeting updates us on plans underway to create a freestanding School of Graduate Studies that will coordinate the 17 Ph.D. programs and 12 Masters’ programs that exist alongside the professional degrees of the three professional schools. Grad Studies is now holding its first investiture ceremony (Dartmouth Now). The coat of arms was just the first step…

  • The Council meeting summary states that “[t]he College has also received sufficient donations to support the initial year of the new residential model of house communities.” That’s an interesting funding method; presumably in the long term the school will seek a naming gift for each Community. The funding element is not mentioned in the full report, although the need for heraldry (again) is foreshadowed:

    House programming budgets will support a wide range of activities including “feeds,” intramurals, concerts, field trips, new annual traditions, alumni events, house swag, experiential learning, and leadership development activities.

    Happy to see the term “feed” surviving.

  • It was a surprise to find last year that the famous Concord Coach that regularly carried the football team to the railroad station more than a century ago still existed (post). Now, courtesy of Time Well Kept: Selections from the Wells Fargo Corporate Archives, we learn that the coach of famous Hanover liveryman Ira Allen survives as well! From the book:

    J.S. and E.A. Abbot and Company built coach #746 in the spring of 1864 for New Hampshire stage operator Ira B. Allen, who ordered his coach made two inches narrower and lighter than other typical nine-passenger coaches. Coach builders painted #746 dark green, a standard but seldom-chosen color requested by Allen, whose staging business in Hanover carried many students and visitors to Dartmouth College.

    The coach, which is no longer painted green, is on display in Miami.

  • The Alumni Magazine in its May-June issue featured a number of historic photos of life at the college, carefully colored by Sanna Dullaway. The photo of the Golden Corner and watering trough, the tenth or so image, looks like it gets the color right.

  • The Big Green Alert continues to cover progress at Memorial Field, with photos on May 14, 20, and 22, and June 4.

  • Really intriguing things are going on with the proposal for a natural gas pipeline from Lebanon to the Heating Plant via DHMC (Valley News).

  • Received the latest campus map through email ahead of the reunion next weekend. It looks nice. It labels all of the sports fields and, possibly for the first time, labels the Softball Park and Burnham Pavilion (I thought that one was also unnamed as the Sports Pavilion?). It depicts the Lewiston buildings. It calls attention to the fact that the parking lot behind Thayer/53 Commons is still called “DDA Lot,” even though DDA became DDS a quarter-century ago. One does wish that the mapmakers would abbreviate the “Saint” in the names of the churches. And is the official name of the cemetery really the “Town of Hanover Cemetery,” when it was built on college-owned land and run by the Dartmouth Cemetery Association? Finally, one hopes that the roadway labeled “Old Tuck Drive” is not called that in practice. There is no “new” Tuck Drive to distinguish it from, and it’s the same as it ever was: Tuck Drive.

  • The Dartmouth reports on Tri-Delt’s decision to go local.

  • The website of Gamma Delta Chi documents the changes that the organization is making to its house, including an extensive set of alterations to the Pit.

  • The Valley News, reporting on the AD derecognition, quotes college spokeswoman Diana Lawrence:

    “Students are free to join any organization that’s not recognized by the college,” she said, so as far as Dartmouth is concerned, “they can become Freemasons.”

    In case you were wondering in 1799, “the Board of Trust declared itself in a decree that any student becoming a mason should thereby cease to be a member of College.”1John King Lord, A History of Dartmouth College, 1815-1909 (Concord, N.H.: The Rumford Press, 1913 ), 520.

  • The Rauner blog has an interesting post on the ownership of the Green.

  • The voters of the Town defeated the West Wheelock Gateway District proposal (Valley News).

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References
1 John King Lord, A History of Dartmouth College, 1815-1909 (Concord, N.H.: The Rumford Press, 1913 ), 520.

School of Grok

The office of new Provost Carolyn Dever is launching two task forces, one of which is aimed at “evaluating the prospect of giving Dartmouth’s graduate and advanced studies programs a physical plant” (The Dartmouth of September 30; see also The Graduate Forum of October 3, The Dartmouth of October 7).

Dartmouth has operated a number of graduate programs for years. Most are attached to relevant undergraduate departments. Thus the creation of a freestanding school of graduate studies need not involve any expansion; it could be done as an administrative reorganization, and, in theory, it could even result in a streamlining of staff. Whether or not a grad studies building is a goal at the moment, however, a building seems likely. As far back as 2007 the unbuilt design (pdf page 9) for a freestanding Class of 1953 Commons included a Graduate Suite.

Maybe some part of the old hospital site is as good as any; maybe when Dana Library moves out of its temporary location in Home 57, that building could house the School of Graduate Studies. Maybe a new building for Dana could terminate the Berry Row axis and link the Medical School with the Graduate School, as the Murdough Center links Tuck and Thayer.

Of course all this growth became inevitable once the program/school adopted a coat of arms back in 2010.

Coat of arms for Graduate Studies at Dartmouth
Graduate Studies coat of arms, from Graduate Studies

New surgical wing; other topics

  • The college recently unveiled a plaque announcing the Orozco Frescoes’ status as a National Historic Landmark (Dartmouth Now). No images yet.

  • Dartmouth Engineer has a story on the new Center for Surgical Innovation. This addition to DHMC is one of the few parts of the complex not designed by SBRA (post).

  • A Kendal news release on master planning refers to the acquisition of the Chieftain. A future expansion of the retirement center could make a neat feature out of the Chieftain’s rowing dock.

  • The New York Times has a story on the planned demolition of the Folk Art Museum to make way for an expansion of MOMA next door. (The architects of the Folk Art Museum, Tod Williams and Billie Tsien, are designing an expansion of Dartmouth’s Hood Museum that preserves and reuses Wilson Hall next door.)

  • Enjoy the retro poster (via Big Green Alert Daily) for round one of the Varsity Cup rugby tournament, held at the Rugby Clubhouse. Dartmouth won the match.

  • CurbedNY has a bit on the Guastavino family. The one grandly-scaled Guastavino-tiled space at Dartmouth, the surgical theatre at the old hospital, no longer exists, but the firm’s vault in the hospital’s one surviving wing remains on Rope Ferry Road. Also check out the entry vestibule of McNutt Hall, likely a Guastavino structure (post).

  • UPNE is listing a publication of a partner called Voice of the Åland Churches by Åsa Ringbom. How about that. Åland (Wikipedia) is an autonomous island province of Finland located in the Baltic partway to Sweden. It has its own stamps and a striking flag that reflect its largely Swedish ethnicity.

  • Dartmouth needs to name at least one building for the building’s architect. This is not an uncommon practice, although only one example comes to mind, the Norman Shaw Buildings at Parliament in London (Wikipedia; W&M’s main building was not designed by Christopher Wren). The designers who need recognition at Dartmouth are Charles A. Rich and Jens F. Larson. The bulk of the campus was created by these two College Architects in succession between about 1895 and 1939. The one building on which both architects did extensive work is the Heating Plant, which Rich built as a one-story building and Larson raised by one story. Maybe when the Heating Plant is taken over by the college museum, these artists can be credited and the building can be known as the Rich-Larson Wing of the Hood Museum of Art.

  • Brown started up its 250th anniversary celebration last month. Dartmouth’s ex-president Jim Yong Kim, a 1982 Brown graduate, gave a lecture at the Opening Celebration. The “Traditions” section of the 250th website explains that Brown chose the brown bear as its mascot in 1904 and in 1905 brought a live bear to a football game — the Dartmouth game — for the first time. Dartmouth won. (Brown doesn’t call the anniversary a “quartomillenium” or “sestercentenary” but a “semiquincentenary.”)

  • DUSA (Dartmouth Uniformed Service Alumni) has an informative page devoted to its symbols. As is traditional, the shield has the wavy lines representing the Connecticut River in the base. One wonders whether every organization, including the college, would benefit from depicting the River as a set of wavy bars thick enough to have their own colors, perhaps blue or even white (alternating with the green color of the field).

  • Interface: News and Information from Dartmouth Computing Services is back. One might recall the nice paper magazine iteration of Interface from the late 1990s.

  • The football team will wear an alternate helmet design at some point this fall, notes Tris Wykes in the Valley News. Perhaps influenced by trends in cars (Financial Times, Autoweek) or the Pro-Tec helmets worn by skateboarders or special operators, matte black seems to be gaining popularity in football. Examples are found at Cincinnati and Oregon; Missouri seems to have been an early proponent in 2009 with its Nike Pro Combat uniform (see Uniform Critics).

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Update 05.22.2014: Banwell architect Ingrid Nichols’s resume (pdf) states:

Banwell has joined forces with a national Kendal design architect, RLPS and together are completing a master plan for a new 20 acre abutting parcel they have recently purchased. We are also completing a master plan for their existing campus including: Additions for independent living, nursing, health center, fitness center (pool, locker rooms, exercise rooms and activity room).

Museum-like displays; a Hanover designer

The old idea of the trophy room for intercollegiate athletics seems to be shifting toward something closer to a museum, with text and graphics (reproductions of historic images, not originals) arranged to tell a story. Objects are displayed in support of the story rather than as the spoils of victory.

The Friends of Dartmouth Football Timeline, Video Archive Kiosk and Memorabilia Exhibit at Floren Varsity House is an example. Designed by the Hanover firm of Charles Gibson Design, the comprehensive display is the closest thing Dartmouth has to a permanent museum of any aspect of its own history. (I do not know what proportion of the old trophies are kept in Floren, in Davis Varsity House, or in the Oberlander Lounge in Alumni Gym.) Gibson also designed a timeline for hockey in two locations in Thompson Arena and a display recognizing donors John and Carla Manley.

During the Seventies and Eighties, Charles Gibson worked in the Hop’s Graphic Design Studio, and since then his firm has done a lot of work for the college and other area institutions. The firm revised the campus map (the next-to-latest iteration); created signage (including the mainframe-like kiosk that occupied the entrance of the old Kiewit); and paper plates and cups for the Courtyard Cafe in the Hop. The Nugget Theater’s freestanding marquee, influenced by the Classical porticos of Main Street, is another product. (By the way, doesn’t the little photo of the modest portico of the Hanover Post Office make that building look like a Great Work of Architecture?)

Most notably for our purposes, Charles Gibson Design did a Comprehensive Identity Program for Cardigan Mountain School, including a revision of the school’s seal that features a green shield containing a lone pine and open book. And if you are thinking about the “Dartmouth base,” the wavy lines of water in the base of the shield of each of Dartmouth’s schools, Gibson did a logo for the local school district in conjunction with the Banwell addition to Hanover High. For the country’s first interstate school district, drawing from both Hanover and Norwich, the circular logo presents the Ledyard Bridge above wavy water lines on a green field.